Thinking back, I wish I could say that every workshop I took made a big difference in my painting skills, but sadly I can't. Most of the time the workshop consisted of a demo, personal anecdotes, a few questions asked by the audience, followed by the artist dobbing some paint on my canvas, saying very little if anything significant or helpful. In one case, I had to ask the teacher to stop by and give me advice. I have to admit though that workshops are my kind of fun. Being with other artists and sharing a common interest is rewarding. Maybe just the experience is justification enough; that's one way to look at it! That's point two!
So lets take a deeper look into the idea of taking a workshop away from home.
There are some really good master artists offering workshops these days at various locations all across the United States. But be prepared to pay big money for big names. Such workshops can run as much as $600.00 to $1,200.00 for a three day workshop and sometimes more. Then there is the cost of travel, lodging, and food costs to consider in addition to the cost of the workshop bumping the daily cost to nearly a $1,000 per day sometimes. If you can afford it, a workshop with a big name can be lots of fun and you get the bragging rights to say that you have taken art lessons form Master Artist (put your favorite artist's name here). In addition, your get to rub shoulders with the big name and the people that the big name attracts.
With regards to my point two; don't be offended if you don't get one-on-one attention by the workshop presenter! Most, if not all, workshop presenters know very well that many of their attendees are there for the experience and to have a good time (I'll have more to say about that a bit later in this post). They don't know whom might be a budding new discovery artist and in some cases they may not even care. I have found that if the presenter is a Big name often times there are other big names attending the workshop too, and the big names tend to associate with one another; certainly not the novice painter. It can be very difficult to break in to the inner circle unless of course you are an attractive young thing. Sorry if this offends some of the male instructors but it comes from personal observations. The other way to be ignored is to be over a certain age. Some instructors view you as a "Sunday painter" and are treated as such. You know what I am talking about so I won't say any more.
So what's my point? A workshop may not be what you need. First, if you are going to take a workshop know why you want to take the workshop in the first place. For the novice, this might be to get a good start, to have that great experience, or to rub shoulders with a big name. If any of these is your goal, fine! But, before you spend lots of dollars on the workshop find out if the artist you admire for their style of work has a book or books and/or DVDs that you can learn from, and then do your homework. Next, sit down and practice, practice, practice. You should have your basic skills down pat or you will embarrass yourself! Until you have gained command of the basic skill sets that allows you to put paint to canvas with some assurance you are wasting your time and money with most workshops. Better still, find a good local artist and teacher that will critique your work and offer advice. And better yet, find a local teacher that you can take classes from on a weekly basis. With all the great books and instructional DVDs available, you can master quite a few skills in the privacy of your own studio. And nothing is better than long term learning with a good instructor for real progress.
At this point you might be wondering why I am giving this advice since it would seem I am shooting myself in my own foot. Here's the honest truth. I gave my first workshop (after teaching weekly classes for years) this summer and I was really excited about giving my students the best instruction I could. As I planned out the five days, I asked a couple of seasoned instructors for their advice. And guess what? Their advice was don't go to all that work and trouble. Just give them an experience that is entertaining, and paint a little on their canvas and they will be happy. They won't use what you give them anyway when they get back home, I was told. Really? That's not my style and never has been as a professional educator for more than 25 years. Needless to say, I gave it all I had and it was a success (and I was exhausted too).
So my advice, if I may, is to ask around before signing up for any workshop. Check with others whom you know who have taken from this teacher or that to see if the workshop is going to give you what you are wanting. Do your research; read everything you can find about the artist and their style of painting, and then see if they offer something more than just workshops.
Weekly classes as I said earlier is the best way to go since it gives you time in between to let the information soak in and time to practice at home. I'm posting here a painting from one of my weekly students who began her study back in February. She has been coming regularly and works very hard. Great work Shayna!
Why did I write this? I have wanted to take a workshop to strengthen my portrait skills from an instructor that would elevate me to the next level. Each time I start to register all of the above ideas have stopped me. So, I have decided to take my own advise; that is to practice, read, watch DVDs, and practice, practice, practice. And I mean every day; not just when I feel inspired! No still life painting for me has taken place for many weeks now. And here is some of the results --- one of four portraits that I have completed. And when I am ready I will look for an artist with whom I can study not for a weekend, but for weeks and months --- just as the Old Masters did with their inspirational master artist teachers.
I would like to hear about your experiences (no instructor names please) with workshops. If you disagree, please let me know. I would like to be convinced otherwise.
